Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Antcliffe, Herbert | Essential differences between Bach and Handel. |
AmerOrganist(1) |
40 | | 1957 |
391-392 |
|
| 2. | Blanchard, Homer D. | You, the reader. |
AmerOrganist(1) |
42 | | 1959 |
6-9 |
|
| 3. | Hinshaw, David W. | Cantus Firmus Treatment in the Chorale Prelude Before Bach. [1] [Chapter 1: Introduction; Chapter II: Composers] |
AmerOrganist(1) |
46 | 1 | Jan 1963 |
10-15 |
|
| 4. | Hinshaw, David W. | Cantus Firmus Treatment in the Chorale Prelude Before Bach. [2] [Chapter III: Classification of Cantus Firmus Treatments] |
AmerOrganist(1) |
46 | 3 | Mar 1963 |
8-14, 16 |
|
| 5. | Hinshaw, David W. | Cantus Firmus Treatment in the Chorale Prelude Before Bach. [3] [Chapter IV: Unadorned Cantus Firmi] |
AmerOrganist(1) |
46 | 4 | Apr 1963 |
12-19 |
|
| 6. | Hinshaw, David W. | Cantus Firmus Treatment in the Chorale Prelude Before Bach. [4] [Chapter V: Adorned Cantus Firmi] |
AmerOrganist(1) |
46 | 5 | May 1963 |
20-24 |
|
| 7. | Hinshaw, David W. | Cantus Firmus Treatment in the Chorale Prelude Before Bach. [5] [cont.: Other Modifications] |
AmerOrganist(1) |
46 | 6 | Jun 1963 |
14-21 |
|
| 8. | Hinshaw, David W. | Cantus Firmus Treatment in the Chorale Prelude Before Bach. [6] [Chapter VI: Variation] |
AmerOrganist(1) |
46 | 7 | Jul 1963 |
22-24 |
|
| 9. | Hinshaw, David W. | Cantus Firmus Treatment in the Chorale Prelude Before Bach. [7] [Fugal Treatment; Fantasias] |
AmerOrganist(1) |
46 | 8 | Aug 1963 |
10-16 |
|
| 10. | Hinshaw, David W. | Cantus Firmus Treatment in the Chorale Prelude Before Bach. [8] [Performance Practices] |
AmerOrganist(1) |
46 | 9 | Sep 1963 |
22-25 |
|
| 11. | Hinshaw, David W. | Cantus Firmus Treatment in the Chorale Prelude Before Bach. [9] [Conclusion; Appendix; The Plauener Orgelbuch] |
AmerOrganist(1) |
46 | 10 | Oct 1963 |
19-23 |
|
| 12. | Gotwals, Vernon | Who wrote the Eight Little Preludes and Fugues? [BWV 553-560 (Anh. II)] |
AmerOrganist(1) |
47 | 4 | Apr 1964 |
22-24, 26 |
|
| 13. | Moeser, James C. | Symbolism in J. S. Bach's Orgelbüchlein. [1] [Chapter 1: The Motivation and Intent of the Present Study; The Historical Problem; The Philosophical Problem; The Analysis Procedure] |
AmerOrganist(1) |
47 | 11 | Nov 1964 |
14-20 |
|
| 14. | Moeser, James C. | Symbolism in J. S. Bach's Orgelbüchlein. [2] [Chapter 2: Analyses of the Chorales - Advent; Christmas. Nos. 1-9] |
AmerOrganist(1) |
47 | 12 | Dec 1964 |
14-22 |
|
| 15. | Moeser, James C. | Symbolism in J. S. Bach's Orgelbüchlein. [3] [cont.; New Year; No.10-15] |
AmerOrganist(1) |
48 | 1 | Jan 1965 |
12-16 |
|
| 16. | Moeser, James C. | Symbolism in J. S. Bach's Orgelbüchlein. [4] [cont.; Purification; No.16-18] |
AmerOrganist(1) |
48 | 2 | Feb 1965 |
22-25 |
|
| 17. | Moeser, James C. | Symbolism in J. S. Bach's Orgelbüchlein. [5] [cont.; Passion; No.19-24] |
AmerOrganist(1) |
48 | 3 | Mar 1965 |
16-22 |
|
| 18. | Moeser, James C. | Symbolism in J. S. Bach's Orgelbüchlein. [6] [cont.; Easter; No. 25-32] |
AmerOrganist(1) |
48 | 4 | Apr 1965 |
14-21 |
|
| 19. | Moeser, James C. | Symbolism in J. S. Bach's Orgelbüchlein. [7] [Pentecost, Miscellaneous; no. 33-37] |
AmerOrganist(1) |
48 | 5 | May 1965 |
11-14 |
|
| 20. | Moeser, James C. | Symbolism in J. S. Bach's Orgelbüchlein. [8] [No.38-45] |
AmerOrganist(1) |
48 | 6 | Jun 1965 |
12-17 |
|
| 21. | Moeser, James C. | Symbolism in J. S. Bach's Orgelbüchlein. [9] [cont.; Chapter III: General Conclusions; Bibliography] |
AmerOrganist(1) |
48 | 7 | Jul 1965 |
11-13 |
|
| 22. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [1] [Introduction; Chapter 1: The Chorale Melodies; Bar Form Chorales; Non bar form chorales with two or more symmetrical phrases] |
AmerOrganist(1) |
50 | 7 | Jul 1967 |
14-20 |
|
| 23. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [2] [cont.; Through-composed chorale melodies showing no symmetries] |
AmerOrganist(1) |
50 | 8 | Aug 1967 |
16-21 |
|
| 24. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [3] [Chapter 2: Stylistic Features of the Chorale Preludes] |
AmerOrganist(1) |
50 | 9 | Sep 1967 |
16-22 |
|
| 25. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [4] [cont.] |
AmerOrganist(1) |
50 | 10 | Oct 1967 |
20-22 |
|
| 26. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [5] [Chapter III: Form and Symmetry in the Chorale Preludes. Group 1: settings Employing the Entire Chorale Melody. A: Symmetries between Phrases of the Chorale Melody; B: Symmetries between Phrases and Interludes; C: Symmetries between Interludes; D: Symmetries within one Interlude; E: Chorale Preludes of Group 1 without symmetries] |
AmerOrganist(1) |
50 | 11 | Nov 1967 |
20-27 |
|
| 27. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [6] [Group 2: Independent Forms; A: Settings with two or more closely related sections; B: settings with two or more contrasting sections; Symmetries in Group 2 Settings. A: Symmetries between Sections] |
AmerOrganist(1) |
50 | 12 | Dec 1967 |
15-20 |
|
| 28. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [7] [Group 3: Fugal Settings: Independent forms in the fugues; symmetries in the fugues; A: repetitions within the opening exposition] |
AmerOrganist(1) |
51 | 1 | Jan 1968 |
34-38 |
|
| 29. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [8] [B: Parallelism between expositions and episodes; C: symmetries between fugal expositions; D: correspondences between episodes] |
AmerOrganist(1) |
51 | 2 | Feb 1968 |
18-21 |
|
| 30. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [9] [Chapter 4: Chorale Preludes existing in two or three versions] |
AmerOrganist(1) |
51 | 3 | Mar 1968 |
16-21 |
|
| 31. | Staplin, Carl B. | Stylistic Changes in the Chorale Preludes of J. S. Bach. [10] [cont.; Chapter V: conclusion] |
AmerOrganist(1) |
51 | 4 | Apr 1968 |
22-23, 34-35 |
|
| 32. | Raver, Leonard | The Art of Fugue: Bach's Last Harpsichord Work. |
AmerOrganist(1) |
51 | 6 | Jun 1968 |
13-14 |
|
| 33. | Reinburg, Peggy Kelley | Affektenlehre of the Baroque era and their application in the works of Johann Sebastian Bach (specifically in the Schübler Chorales) |
AmerOrganist(1) |
51 | 6 | Jun 1968 |
15-17, 28-30 |
|
| 34. | Forshaw, William | The Life and Character of J. S. Bach. |
AmerOrganist(1) |
51 | 7 | Jul 1968 |
16, 22-25 |
|
| 35. | [anon.] | Bach's Cantatas: A Tradition Revived for First Time in U. S. A. |
AmerOrganist(1) |
51 | 10 | Oct 1968 |
9 |
|